Hans van der Hellen — Printers' Devices

The book with the seven seals is held by the lion of Juda, standing on its hind legs

1618×1, 1620×1

Also used by: Hieronymus Canin, Jacob Canin, Jan (I) Canin, Geraert van de Vivere, Anonymous, Anonymous

dpd_0362

The book with the seven seals is held by the lion of Juda, standing on its hind legs

25F23(LION)(+1) beasts of prey, predatory animals: lion (+ animals used symbolically)

25F23(LION)(+5245) beasts of prey, predatory animals: lion (+ animal(s) holding something)

25F23(LION)(+561) beasts of prey, predatory animals: lion (+ animal(s) standing on the hind legs)

49L8 inscription

49MM32 book - MM - book open

71D24311 the lion of Judah

73G212(+0) the book with the seven seals enthroned ~ Revelation of John (+ variant)

86(ZIE, DE LEEUW UIT DEN STAM JUDA, DE WORTEL DAVIDS, HEEFT OVERWONNEN.) proverbs, sayings, etc. (ZIE, DE LEEUW UIT DEN STAM JUDA, DE WORTEL DAVIDS, HEEFT OVERWONNEN.)

The journey to Emmaus; the two men meet Christ; the supper at Emmaus: Christ is recognized while blessing or breaking the bread; monogram "M.I.B."

1624×1

Also used by: Marten Jansz Brandt

dpd_0604

The journey to Emmaus; the two men meet Christ; the supper at Emmaus: Christ is recognized while blessing or breaking the bread; monogram "M.I.B."

25G3 trees

25I22 prospect of village, silhouette of village

31A2352 sitting on an elevation

31A25552 index finger forwards, pointing, indicating

31A2711 walking

33A35 conversation, dialogue; conversation piece

41A31 façade (of house or building)

41D263 walking-stick, staff, cane

46C52 hotel, hostelry, inn

49L16 letter combinations such as letterword, anagram, letter square, monogram, etc.

49L8 inscription

73E342 Cleopas and Peter arrive at the gate of Emmaus, or at the inn; Christ is asked to stay

73E343 the supper at Emmaus: Christ is recognized while blessing or breaking the bread

86(WAS ONS HART NIET BRANDENDE IN ONS, TERWIJL HIJ ONDERWEG TOT ONS SPRAK EN ONS DE SCHRIFTEN OPENDE?) proverbs, sayings, etc. (WAS ONS HART NIET BRANDENDE IN ONS, TERWIJL HIJ ONDERWEG TOT ONS SPRAK EN ONS DE SCHRIFTEN OPENDE?)

An old man, possibly Isaiah, seated under a tree, pointing towards a landscape where the 'desert has turned into a pond' (in Dutch also: 'vijver'); decorated frame

1621×3, 1622×1, 1627×1, 1629×1, 1631×1

Also used by: heirs of Adriaen van de Vivere, Geraert van de Vivere, Jacob van de Vivere

dpd_0605

An old man, possibly Isaiah, seated under a tree, pointing towards a landscape where the 'desert has turned into a pond' (in Dutch also: 'vijver'); decorated frame

25G3 trees

25H11 mountains

25H211 spring, source of river or stream

25I12 prospect of city, town panorama, silhouette of city

31A2351 sitting on the ground

31A25552 index finger forwards, pointing, indicating

48A98(+2) ornaments ~ art (+ framing decorations)

49L8 inscription

71O337(IS. 35:6) other prophecies of Isaiah (with BOOK CHAPTER:VERSE)

86(EN HET GLOEIENDE ZAND ZAL TOT EEN PLAS WORDEN EN HET DORSTIGE LAND TOT WATERBRONNEN) proverbs, sayings, etc. (EN HET GLOEIENDE ZAND ZAL TOT EEN PLAS WORDEN EN HET DORSTIGE LAND TOT WATERBRONNEN)

A man, possibly Isaiah, holds his staff over a small garden pond (in Dutch also: 'vijver') pointing at a garden fountain in the shape of a naked boy urinating in the pond; in a hilly lanscape setting a deer and a well; frame decorated with hybrids of mixed human and animal shape, and festoons

1621×1, 1622×1

Also used by: Abraham van Laren, Adriaen van de Vivere, Geraert van de Vivere, Jacob van de Vivere

dpd_0642

A man, possibly Isaiah, holds his staff over a small garden pond (in Dutch also: 'vijver') pointing at a garden fountain in the shape of a naked boy urinating in the pond; in a hilly lanscape setting a deer and a well; frame decorated with hybrids of mixed human and animal shape, and festoons

21D water (one of the four elements)

25F24(DEER) hoofed animals: deer

25G3 trees

25H11 mountains

25I22 prospect of village, silhouette of village

31A25561(+915) index finger and middle finger raised, closed (+ blessing)

31A45(+3) monsters of mixed human and animal shape; 'Mostri' (Ripa) (+ legs, wings, etc.)

31AA45(+3) monsters of mixed human and animal shape; 'Mostri' (Ripa) - AA - female human figure (+ legs, wings, etc.)

31A61(+0) urination (+ variant)

31D11221(+89) boy (child between toddler and youth) (+ nude human being)

31D14 adult man

41A641 statues, sculptures in garden

41A651 garden fountain

41D263 walking-stick, staff, cane

48A98(+2) ornaments ~ art (+ framing decorations)

48A9875 ornament ~ festoon, garland

48A9876 ornament ~ cartouche

48AA9823 ornament ~ hybrid beings; human and animal forms mixed - AA - stylized

48C24 piece of sculpture, reproduction of a piece of sculpture

48C244 pedestal of a piece of sculpture (perhaps in the form of a herm)

49L8 inscription

71O337(IS. 35:6) other prophecies of Isaiah (with BOOK CHAPTER:VERSE)

92M191 Plutus (god of wealth), son of Ceres and Iasion

92N1 (story of) Pluto (Hades), Dis Pater, Orcus

92N18(FORK) two-pronged fork ~ attribute of Pluto

86(EN HET GLOEIENDE ZAND ZAL TOT EEN PLAS WORDEN EN HET DORSTIGE LAND TOT WATERBRONNEN) proverbs, sayings, etc. (EN HET GLOEIENDE ZAND ZAL TOT EEN PLAS WORDEN EN HET DORSTIGE LAND TOT WATERBRONNEN)

The journey to Emmaus; the two men meet Christ; the supper at Emmaus: Christ is recognized while blessing or breaking the bread; decorated frame; monogram "M.I.B."

1622×1, 1623×2, 1624×3, 1625×1

Also used by: Marten Jansz Brandt, Paulus Aertsz van Ravesteyn

dpd_0696

The journey to Emmaus; the two men meet Christ; the supper at Emmaus: Christ is recognized while blessing or breaking the bread; decorated frame; monogram "M.I.B."

25H15 forest, wood

25I22 prospect of village, silhouette of village

31A2352 sitting on an elevation

31A25552 index finger forwards, pointing, indicating

31A25561 index finger and middle finger raised, closed

31A2711 walking

33A35 conversation, dialogue; conversation piece

41A31 façade (of house or building)

41D263 walking-stick, staff, cane

46C52 hotel, hostelry, inn

48A98(+2) ornaments ~ art (+ framing decorations)

48A9851 ribbon, scroll, banderole ~ ornament

49L16 letter combinations such as letterword, anagram, letter square, monogram, etc.

49L8 inscription

73E342 Cleopas and Peter arrive at the gate of Emmaus, or at the inn; Christ is asked to stay

73E343 the supper at Emmaus: Christ is recognized while blessing or breaking the bread

86(WAS ONS HART NIET BRANDENDE IN ONS, TERWIJL HIJ ONDERWEG TOT ONS SPRAK EN ONS DE SCHRIFTEN OPENDE?) proverbs, sayings, etc. (WAS ONS HART NIET BRANDENDE IN ONS, TERWIJL HIJ ONDERWEG TOT ONS SPRAK EN ONS DE SCHRIFTEN OPENDE?)

Apollo pursuing the nymph Daphne; she is changing into a tree; this scene is framed by the personifications of Poetry (a woman with a laurel wreath, a quill and a sheet of paper) and Painting (woman with a wreath, a palette and brushes), a coat of arms of Middelburg between two putti holding an inscribed banderole, books and foliage

1622×4

Also used by: Adriaen van de Venne, Jan Pietersz van de Venne

dpd_0861

Apollo pursuing the nymph Daphne; she is changing into a tree; this scene is framed by the personifications of Poetry (a woman with a laurel wreath, a quill and a sheet of paper) and Painting (woman with a wreath, a palette and brushes), a coat of arms of Middelburg between two putti holding an inscribed banderole, books and foliage

25F62(+33) bony fishes (+ head of an animal)

25FF3 fabulous animals ~ birds

25G3(+22) trees (+ branch, stick)

25G3(LAUREL)(+22) trees: laurel (+ branch, stick)

31A27112 running

31A444 anthropomorphic beings with parts of abnormal shape

31AA4524(+3) monsters ~ hoofed animals - AA - female human figure (+ legs, wings, etc.)

41A422 hangings and drapery

43A(+12) festivities (+ wreath, garland ~ festive activities)

44A1(+4)(MIDDELBURG)

44B152411 fool's cap

44B192 sceptre, staff (symbol of sovereignty)

45K13 fortress

46C132(+82) riding on animal other than horse, ass, or mule (+ sitting on animal with both legs on one side, riding side-saddle)

48A98(+2) ornaments ~ art (+ framing decorations)

48A982 anthropomorphic ornament

48A98313 branches, 'Astwerk' ~ ornament

48A9856 ornament derived from architectural details

48C510:5(+11) 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)❧Abstract Ideas and Concepts (+ abstract concept represented by female figure)

48C514 picture, painting

48C5152 palette

48C5153 brushes ~ implements of painter

48C7323(+0) lute, and special forms of lute, e.g.: theorbo (+ variant)

48C7352 horn, trumpet, cornet, trombone, tuba

48C7525 one person playing wind instrument

48C901:5(+11) symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)❧Abstract Ideas and Concepts (+ abstract concept represented by female figure)

49L16 letter combinations such as letterword, anagram, letter square, monogram, etc.

49L511 quill

49L71 scroll

49L73 banderole

49L8 inscription

49M32 book

59B32(+1111) Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ nude with wings)

61E(MIDDELBURG) names of cities and villages (MIDDELBURG)

92B325 Apollo pursuing the nymph Daphne (as yet not metamorphosed)

97AA1 Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548)

Hans van der Hellenbspr_2612

Devices used (6)