Guillaume de La Perrièrre, Le Theatre Des Bons Engins (Lyon, 1545)
A gambler at a table with dice; a ragged man turns awayAI-generated

De Ieu, Misere, & Poureté procedent.
From gaming, misery and poverty proceed.AI-generated
Interior of a room with a panelled wall and tiled floor. At the left, a bearded man in a cap and loose gown sits behind a long table on which lie dice and small square objects (coins or stakes); he leans forward with one hand on the table and raises his other arm, pointing or gesturing toward the right. At the right stands a thin bare-headed man with a long face, his arms folded across his chest, wearing a short doublet and torn, tattered breeches and hose, his shoes worn through; he turns away as though leaving the table.

Qvand l'homme fol à iouer se hazarde,Pas il ne pense au mal, qu'en peult venir:Main liberale au ieu, qui n'y prend garde,En pouretè faict l'homme deuenir:Lyer la fault, pour mieulx la retenir,Et conseruer le bien en bons vsages:Le ieu met l'homme en perilleux nauffrages,Et bien souuent en mortel desespoir.Les grandz meschefz & dangereux passages,Que lon en void, nous seruent de miroir.
When the foolish man risks himself at gaming, he does not think at all of the harm that can come of it: a hand that is liberal at play, and takes no heed, makes a man fall into poverty: it must be bound, the better to restrain it, and to keep one's goods for good uses: gaming puts a man into perilous shipwrecks, and very often into deadly despair. The great mishaps and dangerous straits that one sees come of it serve us as a mirror.
86(DE IEU, MISERE, & POURETÉ PROCEDENT) proverbs, sayings, etc. (DE IEU, MISERE, & POURETÉ PROCEDENT)41A2 interior of the house41A711 table31D14 adult man41D2(+7) clothes, costume (+ worn or torn clothes)43C512 playing-cards43C552 dice46B311 coin43C5 games of calculation and chance, e.g.: card games, gambling, puzzles, etc.53B3 Self-control; 'Dominio di se stesso' (Ripa)Additional codes proposed for this emblem, not (yet) part of the indexing.
43C55 dice-gameshighThe scene shows a gaming table with dice and stakes where a man has evidently gambled away his clothing, matching the correlate 'dice-games'.
43C552 dicehighDice are explicitly depicted lying on the table, matching the correlate 'dice'.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
The emblem's moral — that an unchecked 'main liberale' squanders goods that should be kept 'en bons vsages', so that misery and want follow — matches Erasmus's warning against lavish spending that leaves nothing for everyday need, applied to those who 'waste their substance and go hungry afterwards'. No verbal borrowing, only a shared commonplace of profusio.
The picture of the gambler turning away from the dice table in torn breeches and worn-out shoes, having lost everything, visually embodies the proverb for the man left without a penny in his belt; but there is no textual link to the emblem's French motto or verse.
Record ID: embhab_162-3-eth-b_emblem076
This emblem on the Iconclass site: https://iconclass.org/view/embhab_162-3-eth-b_emblem076
Page in the digital copy of the Herzog August Bibliothek: http://diglib.hab.de/drucke/162-3-eth-b/start.htm?image=00089