Jacob Cats, Spiegel (The Hague, 1632)

Emblem 40

A young woman looks at the broken jug she has pulled from a well

A young woman looks at the broken jug she has pulled from a well
Engraving · click to enlarge

De kanne gaet soo lange te water totse eens breecktDutch

The jug goes to the water so long, until at last it breaks.AI-generated

Description of the imageAI-generated

Within an oval frame set in a rectangular border with hatched corner triangles, a young woman stands outdoors on a path beside a brick well-head or waterside wall at the right. She wears a fur-collared bodice with a laced stomacher and a full skirt; her hair is dressed with a band. In her lowered right hand she holds a large earthenware jug by its broken handle; the loose handle and broken bits hang from a cord or strap she lifts with her raised left hand, and fragments of pottery lie on the ground near her feet at the right. A small dog sits on the ground at the left, looking up at her. Behind her at the left is a village with thatched houses, trees and a stream with small figures; at the right a large gnarled tree with a few leafy branches rises beside the brick structure; birds fly in the cloudy sky. A banderole at the foot of the oval carries the handwritten motto.

Subscriptio

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TranscriptionAI-generated

De vrijster spreeckt Ick hebbe menighmael, ick hebbe lange dagen Hier water in geput, hier water in gedragen, Hier water in gepompt, en weder uyt gedaen, En tot op heden toe, soo isset wel gegaen; Maer hier in dit gewest, daer komen raeuwe gasten, Die my en mijns gelijck niet laten aen te tasten; En in het naeste dorp daer woont een groote jeught, Daer is dan alle daegh, daer is de wilde vreught: Ick weeligh uyter aert, en tot het spel genegen, Quam mede by den hoop om soete jock te plegen; Ick kloste nu en dan twee kruycken tegen een, Maer 'twas te veel bestaen voor soo een weecken steen: Want onder dit gewoel, een onbesuysde jongen Koomt loopen uyt het dorp, en tegen my gesprongen, Die stoot te bijster hart, soo dat mijn kruycke leeckt, Die stoot noch andermael, so dat mijn kruycke breeckt. Daer liggen nu eylaes, daer liggen nu de scherven, Dies moet ick (wat een spijt) mijn eerste vreugde derven; Want, boven dat het leet my inde ziele treckt, Soo word' ick noch, eylaes! van alle man begeckt; Hier stae ick nu en kijck met twee beschaemde kaken, Onseker hoe te doen, of wat te sullen maken; Ach! waer ick 'tooge keer, of waer ick henen gae Daer wijst my al het volck met spitse vingers nae: Koom ick nu weder t'huys, hoe sal mijn moeder kijven! En soo ick niet en gae, waer sal ick konnen blijven? Waer sal ick seker zijn? Wel, die mijn schande siet O! leert een nutte les, en dat uyt mijn verdriet: Gespeulen weest besorgt voor uwe water-kruycken, De beste van den hoop die hebben weecke buycken; Het is een seecker woort, daer oock de reden spreeckt, De pot gaet nae de put tot sy ten lesten breeckt.

TranslationAI-generated

The maiden speaks. Many a time, for many long days, I have drawn water here, carried water here, pumped water in here and poured it out again; and up to this day it has gone well enough. But into this region there come rough fellows who do not refrain from pawing at me and my like; and in the nearest village there lives a great crowd of young people, where every day there is wild merriment. I, exuberant by nature and inclined to play, came along with the crowd to practise sweet jesting; now and then I knocked two jugs together, but that was too much to undertake for such a soft stone: for amid this bustle a reckless lad comes running out of the village and leaps against me; that bump was far too hard, so that my jug leaked; a second bump, so that my jug broke. There now, alas, there now lie the shards, and so I must (what a shame) lose my first joy; for besides that the sorrow pierces me to the soul, I am moreover, alas, mocked by every man. Here I now stand and stare with two shamed cheeks, uncertain what to do or what to make of it; ah, wherever I turn my eye, or wherever I go, all the people point at me with pointed fingers. If I now come home again, how my mother will scold! And if I do not go, where shall I be able to stay? Where shall I be safe? Well, you who see my shame, O learn a useful lesson, and that from my distress: playmates, take care of your water-jugs; the best of the lot have soft bellies. It is a sure saying, in which reason too speaks: the pot goes to the well until at last it breaks.

CommentaryAI-generated

10 passages · original left, translation right (click to fold)

Engels. The pot goth so long tho the water til at ast it conmeth broken hom.

English. The pot goes so long to the water till at last it comes home broken.

Franç. Tant va la cruche à l'eau que la hanche y demeure.

French. The pitcher goes to the water so often that the handle stays behind there.

Tant va le pot à l'eau qu'il brise.

The pot goes to the water so often that it breaks.

Hoogd. Der krug gienge so lang zur buch Biß er zu lest zerbruch.

High German. The jug went so long to the brook until at last it broke.

Der krug gehet so lang zum brunnen biß das er bricht.

The jug goes to the well so long until it breaks.

Tanto va la secchia al pozzo che vi lascia il manico. Ital.

Italian. The bucket goes to the well so often that it leaves its handle there.

De kanne gaet soo lange te water totse eens breeckt. Nederl.

Dutch. The jug goes to the water so long until at last it breaks.

Consumitur peccando saepius pudor. Lat.

Latin. Shame is used up by sinning too often.

Tanto va la capra al caulo, che vi lascia la pelle. Ital.

Italian. The goat goes to the cabbage so often that it leaves its skin there.

-- Posticâ pungit amarus amor. Lat.

Latin. -- Bitter love stings from behind.

Iconclass

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Relationships to the Adagia of ErasmusAI-generated

Suggested relationships between this emblem and adages in Erasmus’ Adagia.

Sources

Record ID: embstma_1288_emblem040
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1288_emblem040
Copy: University Library, Glasgow, Stirling Maxwell 1288