Jacob Cats, Spiegel (The Hague, 1632)
A young woman pointing at the lamp she is holding; the lamp is of no use as it has no light - like a "woman who has lost her sense of shame"

Mulier sine verecundia, lampas sine lumineLatin
A woman without shame is a lamp without light.AI-generated
An oval medallion framed by a square border with hatched corner spandrels. Inside, a richly dressed woman stands in an open landscape, seen almost full length and turned slightly to her right. She wears a tall, horned (two-pointed) jewelled headdress with a long veil falling down her back, a pearl necklace and strings of beads, a gown with puffed, slashed sleeves and a heavily jewelled, tasselled girdle, and a long trailing skirt. In her raised right hand she holds out by its ring a large ornate metal lantern with a domed, pierced top; her left hand rests near her waist/bodice. Behind her is a river or water with a town on the left bank (a tower and domed building among trees), a wooded shore with trees on the right, and a cloudy sky with birds. Below the oval a scroll/cartouche carries a handwritten-style inscription.

Vraeght yemant wat ick draeg, en wattet is te seggen? Hoort toe, ick neemet aen met woorden uyt te leggé, Ick gae doch altijt rondt, oock daer een ander swijght, En daer een slechte duyf beschaemde wangen krijght. Ick draegh een aerdigh tuygh, dat konstigh is gedreven, Dat schoon is op-gedaen, en wonder net gewreven, Ick draegh een noodigh stuck, dat aen een rustigh man, Oock midden inder nacht, ten dienste wesen kan: Ick draegh een schoon kleynoot, dat yeder sou behagen Als sy het beste deel daer mede binnen sagen, Maer dat en isser niet, en even sonder dat Soo isset maer een romp, een hol en ydel vat: Maer waerom dus bedeckt? ick kan wel anders spreken, Ick hebbe monts genough, ick hebbe wisse streken; Ick heb een gladde tongh, wie dattet oock verveelt, Wel vrienden, 'tgeen ick draegh, dat is mijn eygé beelt. Ick heb een bly gelaet, ick hebbe roode wangen, Ick hebbe geestigh hayr, dat menschen weet te vangen, Ick ben in soeten praet, in vleys, in jeugdigh bloet, Al wat een aerdigh dier of is of wesen moet; Ick ben een schoone vrou, doch aen geen man gebonden, Ick waer een frissche maeght, en waer ick niet geschonden, Ick ben; maer, hola wat: ick ben gelijck ghy siet, Ick bid u (wie ghy zijt) en vraegt my vorder niet. Maer déckt ghy niet te min, wat mach haer doch ontbreké? De schaemte, lieve vrient, die is van my geweken, Dat schoon, dat helder licht, die onbevleckte glans, De luyster vande jeught, de vreughde van de mans, De schaemte, lieve vrient, die heb ick eens verloren, En die heeft even my voor eeuwigh af-gesworen, Nu ben ick niet met al, want sonder eerbaer root Soo is de schoonheyt vuyl, soo is het leven doot.
Does anyone ask what I carry, and what it means? Listen, I undertake to explain it in words, For I always go about, even where another keeps silent, And where a simple dove gets blushing cheeks. I carry a fine piece of work, artfully embossed, Handsomely got up, and wonderfully neatly polished, I carry a necessary thing, which to a restless man Even in the middle of the night can be of service: I carry a fair jewel that would please everyone If they saw the best part of it inside, But that is not there, and just without that It is only a hulk, a hollow and empty vessel: But why so covered up? I can indeed speak otherwise, I have mouth enough, I have sure tricks; I have a smooth tongue, whoever may be tired of it, Well, friends, what I carry is my own image. I have a cheerful face, I have red cheeks, I have lively hair that knows how to catch people, I am all sweet talk, flesh, and youthful blood, All that a pretty creature either is or must be; I am a beautiful woman, yet bound to no man, I would be a fresh maiden, had I not been violated, I am; but, hold on there: I am as you see, I beg you (whoever you are) and ask me no further. But if nonetheless you do not cover it up, what can she be lacking? Shame, dear friend, that has departed from me, That fair, that clear light, that unspotted lustre, The splendour of youth, the joy of men, Shame, dear friend, that I once lost, And it has likewise forsworn me for ever, Now I am nothing at all, for without an honourable blush Beauty is foul, and life is dead.
Plaut. Nam ego illam perisse duco, cui quidem perijt pudor. Cicero. Sine verecundia nil rectum esse potest, nihil honestum. Custos omnium virtutum verecundia. Hoogd. Wo kein scham ist / da ist auch kein ehr. Vbi studium verecundiæ est, cupiditas rationi seruit. Val. max. Bella in vista, dentro trista. Ital. Mulieres quas esse verecundas animadvertūt homines, intuētes viciffim revereri volunt. Xenoph. de Iust. Nutriendus est pudor, qui quamdiu in animo duraverit, aliquis erit bonæ spei locus. Cyril. l. 8.
Plautus: For I count her as lost, who has indeed lost her shame. — Cicero: Without modesty nothing can be right, nothing honourable. The guardian of all the virtues is modesty. — High German: Where there is no shame, there is also no honour. — Where there is a zeal for modesty, desire serves reason (Valerius Maximus). — Italian: Fair in appearance, foul within. — Women whom men perceive to be modest, they in turn wish to revere when they look upon them (Xenophon, on justice). — Shame must be nourished; as long as it remains in the mind, there will be some room for good hope (Cyril, book 8).
86(MULIER SINE VERCUNDIA, LAMPAS SINE LUMINE) proverbs, sayings, etc. (MULIER SINE VERCUNDIA, LAMPAS SINE LUMINE)Additional codes proposed for this emblem, not (yet) part of the indexing.
41B33 lanternhighThe correlate 'lantern' matches the large ornate metal lantern with domed pierced top that the woman holds out by its ring.
57A4 ShamehighThe correlate 'Shame' matches the figure as a personification of shame/verecundia, the theme of all the quoted mottoes ('where there is no shame, there is also no honour').
57A5 Decency, Shyness, BashfulnessmediumThe correlate 'Decency, Shyness, Bashfulness' fits the pudicitia/verecundia personified by the modest richly dressed woman praised in the commentary.
57A641 Discretion, Modesty; 'Discretione', 'Modestia' (Ripa)mediumThe correlate 'Discretion, Modesty; Modestia (Ripa)' corresponds to the commentary's repeated praise of modesty as guardian of all virtues, where desire serves reason.
33C8120 'Castità', 'Pudicitia', 'Vergogna honesta' (Ripa)mediumThe correlate 'Castità, Pudicitia, Vergogna honesta (Ripa)' is precisely the Ripa personification of honourable shame that this female figure embodies.
33C812 chastitylowThe correlate 'chastity' is implied by the commentary's praise of women perceived as modest and worthy of reverence, though shame rather than chastity is the explicit subject.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
Both sayings join the image of a lamp/light with the question of female modesty: Erasmus's adage claims no woman is chaste once the lamp is taken away, while the emblem declares a shameless woman to be 'a lamp without light' (the picture shows a woman holding out a lantern). The link is imagistic rather than textual, and the moral points differ.
Erasmus's adage describes those who have 'rubbed off' all shame from face and brow; the emblem's subscriptio laments precisely the loss of the 'eerbaer root' (honourable blush) that once lit the woman's cheeks, making beauty foul and life dead.
Record ID: embstma_1288_emblem047
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1288_emblem047
Copy: University Library, Glasgow, Stirling Maxwell 1288