Guillaume de La Perrièrre, Le Theatre Des Bons Engins (Lyon, 1545)
A tree half barren and half in leaf and fruitAI-generated

Le fruict d'Amour Amours grandement se varie.
The fruit of Love varies greatly.AI-generated
A woodcut landscape panel showing a single tree growing from a grassy hummock. The tree's trunk forks: the branches on the left are bare, leafless and gnarled, bearing a few pendant pear-shaped fruits, while the branches on the right are thick with foliage and clusters of leaves and fruit. Low grasses and small plants grow at the base; the ground is lightly hatched.

LE fruict d'Amours est dur, mol, sec & verd,Leger, pesât, doulx, amer, froid & chauld,Secret, commun, affable, descouuert,Triste, ioyeux, cler, obscur, bas & hault,L'vn iour present, lendemain en deffault,Plein de rigueur, abbreué de mercy,Rude, amyable, en esbat, & soucy:Source d'aduerse, & de bonne fortune,Maigre & reffait, gresle, gros, gay, transi,Droict & tortu, constant comme la Lune.
The fruit of Love is hard, soft, dry and green, / Light, heavy, sweet, bitter, cold and hot, / Secret, common, affable, uncovered, / Sad, joyful, bright, dark, low and high, / One day present, the next day wanting, / Full of harshness, cut short of mercy, / Rough, lovable, in sport, and in care: / Source of adversity and of good fortune, / Thin and restored, slender, fat, gay, numb with cold, / Straight and crooked, constant as the Moon.
86(LE FRUICT D'AMOUR AMOURS GRANDEMENT SE VARIE) proverbs, sayings, etc. (LE FRUICT D'AMOUR AMOURS GRANDEMENT SE VARIE)47I41 fruit-tree culture; fruit harvest25G(+351) plants; vegetation (+ bare plant)25G(+34) plants; vegetation (+ bearing fruit)25G21 fruits56F2 (personifications and symbolic representations of) Love; 'Amore (secondo Seneca)' (Ripa)51BB4 Multiformity, VarietyAdditional codes proposed for this emblem, not (yet) part of the indexing.
25G21 fruitsmediumThe correlate 'fruits' matches the pendant pear-shaped fruits and clusters of fruit hanging from the tree's branches.
25HH landscapes - HH - ideal landscapeslowThe scene is a generic landscape panel with a tree and ground vegetation, though 'ideal landscapes' is a stretch for this plain emblematic setting.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
The emblem's tree, half barren and half laden with fruit, and the subscriptio's catalogue of love's mixed qualities ('Source d'aduerse, & de bonne fortune') embody the adage's point that nothing in human life is blessed in every respect; both are classed under the 'Mixta' commonplace.
The subscriptio's closing 'constant comme la Lune' and its endless alternation of opposites express the same proverbial topos of restless ebb and flow in human affairs and affections that Erasmus illustrates with the tidal Euripus.
Love's fruit taking every contrary shape in turn (sweet/bitter, cold/hot, straight/crooked) echoes the proverbial Protean figure who 'takes all sorts of shapes, twisting back and forth'.
The emblem's single tree producing contrary effects, and the line 'froid & chauld' among love's paired opposites, recall the proverbial image of one source emitting both hot and cold.
Record ID: embhab_162-3-eth-b_emblem080
This emblem on the Iconclass site: https://iconclass.org/view/embhab_162-3-eth-b_emblem080
Page in the digital copy of the Herzog August Bibliothek: http://diglib.hab.de/drucke/162-3-eth-b/start.htm?image=00093