Geffrey Whitney, A choice of emblemes (Leiden, 1586)
A man with a guilty conscience attacks his own shadow with his sword; Jupiter on his eagle

In poenam sectatur & umbraLatin
For punishment even a shadow is pursued
Within an ornamental woodcut border, a half-naked man runs to the right across an open landscape, his cloak flying, looking back over his shoulder with one hand raised in alarm; his long shadow stretches on the ground behind him. In the upper left, amid clouds and rays of light, a winged figure brandishes a torch or firebrand toward him. At the right are hills and a walled town with towers; a small star-dotted sky and clouds above, bushes and a thicket at the lower left.

THE wicked wretche, that mischiefe late hath wroughte, By murther, thefte, or other heynous crimes, With troubled minde, hee dowtes hee shalbe caughte, And leaues the waie, and ouer hedges climes: And standes in feare, of euerie busshe, and brake, Yea oftentimes, his shaddowe makes him quake. A conscience cleare, is like a wall of brasse, That dothe not shake, with euerie shotte that hittes: Eauen soe there by, our liues wee quiet passe, When guiltie mindes, are rack'de with fearfull fittes: Then keepe thee pure, and soile thee not with sinne, For after guilte, thine inwarde greifes beginne.
The wicked wretch who has lately done mischief, by murder, theft, or other heinous crimes, with a troubled mind fears he shall be caught, and leaves the road and climbs over hedges: and stands in fear of every bush and thicket, yea, often his own shadow makes him quake. A clear conscience is like a wall of brass, that does not shake with every shot that hits it: even so by it we pass our lives in quiet, while guilty minds are racked with fearful fits. Then keep yourself pure, and do not soil yourself with sin, for after guilt your inward griefs begin.
Cato. Conscius ipse sibi de se putat omnia dici.
Ouid. Fast. 1. Conscia mens vt cuique sua est, ita concipit intra Pectora, pro facto spemq́, metumq́ suo.
Cato: The man conscious of guilt thinks everything that is said is said of himself.
Ovid, Fasti 1: As each man's conscience is, so does he conceive within his breast hope or fear, according to his deed.
22C31 radiance emanating from persons or things25F3(+53) birds (+ postures, positions of animal(s))25F33(EAGLE)(+53) predatory birds: eagle (+ postures, positions of animal(s))25G13 groups of plants (herbs)25G3(+21) trees (+ stem, trunk)25H11 mountains25H133 beach25H23 sea (seascape)25I12 prospect of city, town panorama, silhouette of city26A clouds26C winds31A2321 leaning forward31A2352 sitting on an elevation31A2421 head turned to the left31A244 head bent forward; bowing31A2511 arm raised upward31AA2511 arm raised upward - AA - both arms or hands31A2513(+922) arm stretched sidewards (+ fighting)31A2513(+933) arm stretched sidewards (+ holding something)31A26122 sitting with legs bent, side by side31A26211(+51) one leg in front of the other, walking position (+ standing)31A2762(+0) flying (+ variant)31A28 man and his shadow31A534 beard31D14 adult man41D211(+81) dress, gown (+ men's clothes)41D27(+81) drapery, draped garment, 'Gewandgebung' (+ men's clothes)41D91 man (showing himself) undressed, quasi-nude45C13(SWORD) hacking and thrusting weapons: sword52B5112(+4):57A3(+4) Bad, Evil, Wrong (+ emblematical representation of concept)❧Conscience; 'Coscienza' (Ripa) (+ emblematical representation of concept)57BB13(+4) Punishment; 'Castigo', 'Pena', 'Punitione' (Ripa) (+ emblematical representation of concept)86(IN POENAM SECTATUR ET UMBRA) proverbs, sayings, etc. (IN POENAM SECTATUR ET UMBRA)92B1 (story of) Jupiter (Zeus)92B18(EAGLE) attributes of Jupiter: eagleAdditional codes proposed for this emblem, not (yet) part of the indexing.
57A3 Conscience; 'Coscienza' (Ripa)highThe correlate 'Conscience' directly matches the emblem's theme, explicitly quoting Ovid on how each man's conscience shapes what he feels.
57A43 Sense of Guilthigh'Sense of Guilt' matches the motto that the man conscious of guilt thinks everything said is said of himself, dramatized by the fleeing figure.
54AA52 Guiltinessmedium'Guiltiness' as a personified negative quality corresponds to the guilty man pursued by an avenging winged figure.
56DD1 Fear, Dread; 'Paura', 'Timidità o Timore', 'Timore' (Ripa)medium'Fear, Dread' fits the half-naked man running with hand raised in alarm, looking back in terror at the torch-brandishing figure.
56D Hope and Fearmedium'Hope and Fear' corresponds to the Ovid passage cited, that conscience conceives 'hope or fear' within the breast according to one's deed.
31A28 man and his shadowmedium'Man and his shadow' matches the depicted long shadow stretching behind the running man, a key visual element of the plate.
22C8 shadowlowThe generic correlate 'shadow' covers the prominent cast shadow on the ground behind the fleeing figure.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
Erasmus' essay describes exactly the emblem's scene: those 'who have a sense of guilt and are afraid of being caught, or who have committed some crime and run away in terror', made 'trembling and light-shunning' by conscience, with the Scriptural tag 'The wicked flee when no man pursueth' — Whitney's fleeing criminal who starts at every bush and at his own shadow.
The emblem's moral — that no torture punishes like a guilty mind ('guiltie mindes, are rack'de with fearfull fittes') while a clear conscience is a wall of brass — matches Erasmus' point that conscience is the most effective torturer and hangman, 'flogging with silent lash' like the avenging Furies (cf. the torch-brandishing winged fury in the picture).
Erasmus glosses this adage as applying 'when someone knows he has done wrong, and is himself afraid before he is accused' — precisely the emblem's wretch who, having committed murder or theft, flees over hedges in dread before any pursuit exists.
Record ID: embstma_1667_emblem032
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem032
Copy: University Library, Glasgow, Stirling Maxwell 1667