Geffrey Whitney, A choice of emblemes (Leiden, 1586)
A man cuts out one of his enemy's eye with a stick but gouges out both of his own eyes with his fingers; in the background a man sets fire to a house

Caecum odiumLatin
Blind hatred
A woodcut within an elaborate ornamental border. In the foreground two men in classical robes stride to the left; the man on the right grasps the arm and shoulder of the bearded man beside him and pulls him away, while turning his head aside. Behind them at the right a burning building with flames and smoke pouring from its roof; a small figure runs toward the doorway of the house carrying something. Trees and sky with clouds at the upper left.

TH'Enuious man, when neighboures howse dothe flame, Whose chiefe delighte, is in an others harme, Doth shutte his eies, and will not see the same, But pulles awaie, his fellowe by the arme : And sayeth, departe, wee care not for this ill, It is not ours, let others care that will. Too manie liue, that euery wheare are founde Whoe daye and nighte doe languishe in dispite, When that they see, an others wealthe abounde : But, those herein that moste of all delighte, Let them repente, for God whoe knowes theire harts, Will them rewarde, accordinge to deserts.
The envious man, when his neighbour's house is in flames — he whose chief delight is in another's harm — shuts his eyes and will not see it, but pulls his fellow away by the arm, and says: depart, we care not for this trouble; it is not ours, let others care who will. Too many live, who are found everywhere, who day and night languish in spite when they see another's wealth abound; but those who most of all delight in this, let them repent, for God, who knows their hearts, will reward them according to their deserts.
Vixq́; tenet lacrymas quia nil lacrymabile cernit, &c. Inuidus alterius rebus macrescit opimis. Inuidia Siculi non inuenere tyranni Maius tormentum.
And scarcely does she hold back her tears, because she sees nothing worthy of tears, etc. The envious man grows lean at another's rich possessions. The Sicilian tyrants found no greater torment than envy.
Ouid. 1. Metamorph. De inuidia sic. Horatius 1. epist. 2.
Ovid, Metamorphoses book 1 [2]. Thus concerning envy. Horace, Epistles book 1, epistle 2.
11N32 Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins21C fire (one of the four elements)25F3 birds25F3(+53) birds (+ postures, positions of animal(s))25G13 groups of plants (herbs)25G3(+21) trees (+ stem, trunk)31A2321 leaning forward31A247 looking over the shoulder31A2512 arm stretched forward31A2512(+933) arm stretched forward (+ holding something)31A2513(+933) arm stretched sidewards (+ holding something)31A2515 arm held downwards31A2534 hand(s) towards the eye(s)31A2621 one leg in front of the other31A2711 walking31A4111 blind, blindness31A534 beard31D14(+73) adult man (+ three persons)41A141 the usual house or row of houses41B121 flame41B162 smoke41B32(+1) torch (+ kindling a light; lit, burning light, lamp, candle)41B4 on fire, ablaze41D211(+81) dress, gown (+ men's clothes)41D221(+81) head-gear (+ men's clothes)41D233(+81) gear for legs and feet (+ men's clothes)41D27(+81) drapery, draped garment, 'Gewandgebung' (+ men's clothes)44G321(STICK) instruments of torture, execution or punishment (STICK)45C13(SWORD) hacking and thrusting weapons: sword55AA1(+4) Loss (+ emblematical representation of concept)56FF2(+4):31AA4111 Hate; 'Odio capitale' (Ripa) (+ emblematical representation of concept)❧blind, blindness - AA - metaphorically blind86(CAECUM ODIUM) proverbs, sayings, etc. (CAECUM ODIUM)94I134 Polyphemus is blinded with a pointed stakeAdditional codes proposed for this emblem, not (yet) part of the indexing.
11N32 Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly SinsmediumThe commentary's entire theme is Envy ('Invidia') — the envious man growing lean at another's wealth and the Sicilian tyrants' torment — matching the personification of Envy as one of the Seven Deadly Sins.
96A5(INVIDIA) Invidia (Envy) as Roman personificationlowInvidia as a classical (Roman) personification is the subject invoked through the Ovidian and Horatian quotations on envy, though no personified figure is visibly depicted.
83(OVID, Metamorphoses II:752-786) Minerva calls on EnvylowThe quoted line 'scarcely does she hold back her tears, because she sees nothing worthy of tears' comes from Ovid's account of Minerva's visit to Envy, the literary source cited in the commentary.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
The emblem shows envy directed precisely at a neighbour — the envious man rejoices at the burning of the neighbour's house and pines when 'an others wealthe abounde' — which is the very content of this adage ('unfriendly and spiteful is the neighbour's eye'), whose essay also cites Hesiod's 'neighbour envies neighbour' and Horace on the 'envious tooth.'
This doublet adage on the envious neighbour's eye matches the emblem's scene of a man who deliberately shuts his eyes to (and inwardly delights in) his neighbour's disaster; the adage's essay quotes Ovid on the richer crop in another's field, the same envy-of-a-neighbour's-prosperity theme as the subscriptio.
Erasmus's locus classicus for envy (Hesiod: 'Neighbour envies neighbour, to see him work hard and prosper') supplies exactly the moral of the emblem's second stanza, where men 'languishe in dispite, when that they see, an others wealthe abounde.'
The adage expresses the same envious discontent at another's greater wealth that the emblem condemns, and Erasmus's essay quotes Horace's Epistles (the same book the emblem's commentary cites for 'Inuidus alterius rebus macrescit opimis').
Jerome's proverb of begrudging others what one lacks oneself matches the emblem's portrait of men who are tormented by the sight of another's abundance, though there is no textual borrowing.
Record ID: embstma_1667_emblem031
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem031
Copy: University Library, Glasgow, Stirling Maxwell 1667