Geffrey Whitney, A choice of emblemes (Leiden, 1586)
Virtus, seated on the tomb of Ajax, is tearing out her own hair

In victoriam dolo partamLatin
On victory gained by guile
Within an ornamental woodcut border, a square scene shows a barefoot woman in flowing drapery standing beside a large stone tomb set on steps, within a classical architectural setting with columns and pediments. With both hands raised she pulls and tears at her long loose hair, which streams out on either side of her head. The side of the tomb-chest bears an inscription (AIACIS). Grass or ground is indicated at the foot of the steps.

WHAT dolefull dame is this in greate dispaire? This prowes is, whoe mournes on AIAX toombe: What is the cause, shee rentes her goulden haire? Wronge sentence paste by AGAMEMNONS doombe: But howe? declare, VLISSES filed tonge, Allur'de the Iudge, to giue a Iudgement wronge. For when, that dead ACHYLLIS was in graue, For valiante harte, did AIAX winne the same: Whereby, he claimde ACHYLLIS armes to haue, VLISSES yet, was honored with the same: His suttle speeche, the iudges did preferre, And AIAX wrong'de, the onelie man of warre. Wherefore, the Knighte impatient of the same, Did loose his wittes, and after wroughte his ende: Loe, heare the cause that mooude this sacred dame, On AIAX toombe, with griefe her time too spende: Which warneth vs, and those that after liue, To beare them righte, when iudgement they do giue.
What sorrowful lady is this in great despair? This is Prowess, who mourns on Ajax's tomb. What is the cause that she tears her golden hair? A wrong verdict passed by Agamemnon's judgement. But how? Explain: Ulysses' polished tongue enticed the judge to give a wrong judgement. For when dead Achilles was in his grave, Ajax won the same [honour] by his valiant heart; whereby he claimed to have Achilles' arms, yet Ulysses was honoured with them. The judges preferred his subtle speech, and wronged Ajax, the only true man of war. Therefore the knight, impatient of this, lost his wits and afterwards brought about his own end. Behold here the cause that moved this holy lady to spend her time in grief on Ajax's tomb: which warns us, and those who live hereafter, to conduct themselves rightly when they give judgement.
31AA222(+89) chest, bust - AA - female human figure (+ nude human being)31A22621 hair31AA2352 sitting on an elevation - AA - female human figure31AA247 looking over the shoulder - AA - female human figure31A2513(+933) arm stretched sidewards (+ holding something)31A2531(+933) hand(s) bent towards the head (+ holding something)31AA2621(+53) one leg in front of the other - AA - female human figure (+ sitting)31B6262 pulling out one's hair31D15 adult woman41A31 façade (of house or building)41D232(+82) skirt (+ women's clothes)41D2339 barefoot41D92 woman (showing herself) undressed, quasi-nude42E131(+0) mourning the dead (+ variant)42E31 grave, tomb49L8 inscription54A8(+11) Courage, Bravery, Valiance, Manliness; 'Ardire magnanimo et generoso', 'Gagliardezza', 'Valore', 'Virtù heroica', 'Virtù dell'animo e del corpo' (Ripa) (+ abstract concept represented by female figure)54F2(+4):57AA621(+4) Victory (+ emblematical representation of concept)❧Cheat, Deceit; 'Fraude', 'Inganno' (Ripa) (+ emblematical representation of concept)56BB1(+4) Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa) (+ emblematical representation of concept)59CC3(+4) Illegality (+ emblematical representation of concept)86(AIACIS) proverbs, sayings, etc. (AIACIS)86(IN VICTORIAM DOLO PARTAM) proverbs, sayings, etc. (IN VICTORIAM DOLO PARTAM)95A(AJAX THE GREAT) Ajax the GreatAdditional codes proposed for this emblem, not (yet) part of the indexing.
42E31 grave, tombhighThe correlate 'grave, tomb' directly matches the large stone tomb-chest inscribed AIACIS that dominates the scene.
42E35 grave-building, monumental tombmediumThe correlate 'grave-building, monumental tomb' fits the monumental sepulchre raised on steps within a classical architectural setting of columns and pediments.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
Erasmus' essay recounts precisely the story the emblem depicts: Ajax so resented that Ulysses was preferred to him in the award of Achilles' arms that he went mad and killed himself. The subscriptio's narrative of the judgement of the arms, Ajax's loss of wits and suicide matches this adage's explanatory story point for point.
The motto 'In victoriam dolo partam' (a victory won by guile) answers to Erasmus' adage for anything cunning, astute and wily, said of Ulysses ('scelerumque inventor Ulysses'); the subscriptio makes Ulysses' 'suttle speeche' and 'filed tonge' the instrument of his undeserved victory.
Erasmus' adage, citing Plato's contrast of the lying Ulysses with the truthful Achilles, matches the emblem's complaint that Ulysses' plausible eloquence 'Allur'de the Iudge, to giue a Iudgement wronge'.
The essay narrates the same episode — Ajax defeated by Ulysses in the contest for the arms, and his suicide — though its own moral (beware enemies' gifts) differs from the emblem's warning about just judgement.
Erasmus' adage is used of those who judge foolishly and prefer the worse to the better; the emblem's closing moral — a warning to judges 'To beare them righte, when iudgement they do giue' — illustrates exactly such a perverse verdict.
Record ID: embstma_1667_emblem030
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem030
Copy: University Library, Glasgow, Stirling Maxwell 1667