Geffrey Whitney, A choice of emblemes (Leiden, 1586)
Quintilius Varus tries to prevent a young author from putting his work too quickly in the hands of Fame

Scripta non temerè edendaLatin
Writings should not be published rashly
Ad doctiss. virum D. St. Bullum.

LO, here QVINCTILIVS sittes, a graue and reuerende sire: And pulles a younglinge by the arme, that did for fame desire. For, hee with pace of snayle, proceeded to his pen; Lest haste shoulde make him wishe (too late) it weare to write againe. And therfore still with care, woulde euerie thinge amende: Yea, ofte eche worde, and line suruaye, before hee made an ende. And, yf he any sawe, whose care to wryte was small: To him, like wordes to these hee vs'd, which hee did meane to all. My sonne, what worke thou writes, correcte, reforme, amende, But if thou like thy first assaye, then not QVINCTILIVS frende? The fruicte at firste is sower, till time giue pleasante taste: And verie rare is that attempte, that is not harm'd with haste. Perfection comes in time, and forme and fashion giues: And euer rashenes, yeeldes repente, and most dispised liues. Then, alter ofte, and chaunge, peruse, and reade, and marke: The man that softlie settes his steppes, goes safest in the darke. But if that thirst of fame, doe pricke thee forthe too faste: Thou shalt (when it is all to late) repente therefore at laste.
Behold, here sits Quintilius, a grave and reverend elder, and pulls a young man by the arm who desired fame. For he proceeded to his pen with a snail's pace, lest haste should make him wish (too late) that it were to write again. And therefore he would still with care amend everything: yea, often survey each word and line before he made an end. And if he saw any whose care to write was small, he used words like these to him, which he meant for all: 'My son, whatever work you write, correct, reform, amend; but if you like your first attempt, then is not Quintilius your friend?' The fruit at first is sour, until time gives it a pleasant taste; and very rare is that attempt which is not harmed by haste. Perfection comes in time, and gives form and fashion; and rashness ever yields repentance, and lives most despised. Then alter often, and change, peruse, and read, and mark: the man who sets his steps softly goes safest in the dark. But if the thirst of fame prick you forth too fast, you shall (when it is all too late) repent for it at last.
Quinctilij Var. censura de scriptis edendis Horat. Art. poët.
The judgement of Quintilius Varus concerning writings to be published; Horace, Art of Poetry.
Ouid. 3. Fast. Differ, habent parua commoda magna mora.
Ovid, Fasti book 3: 'Put it off; small delays bring great advantages.'
Senec. Agam. Proinde quicquid est, da spacium & tempus tibi: Quod ratio nequit, sæpe sanauit mora.
Seneca, Agamemnon: 'Therefore, whatever it is, give yourself space and time; what reason cannot do, delay has often healed.'
25F(+342):31AA2224 animals (+ wings of an animal)❧shoulder - AA - female human figure31A2512(+933) arm stretched forward (+ holding something)31A2512(+934) arm stretched forward (+ reaching for somebody or something, seizing something, touching)31A2512(+9341) arm stretched forward (+ reaching, handing, giving)31A2512(+935) arm stretched forward (+ receiving something)31A2516(+933) arm or hand held in front of the body (+ holding something)31A534 beard31B6211 looking upwards31D14 adult man31D15 adult woman31D16 old man41A33 window41A711 table41A713 cover for table, etc.41D211(+81) dress, gown (+ men's clothes)41D211(+82) dress, gown (+ women's clothes)41D223(+81) clothing for the upper part of the body (+ men's clothes)41D231(+81) trousers, breeches (+ men's clothes)41D233(+81) gear for legs and feet (+ men's clothes)41D2339 barefoot48C7352 horn, trumpet, cornet, trombone, tuba48C751 one person with musical instrument, not playing48C90 'litterae', symbolic representations, allegories and emblems ~ literature; 'Lettere' (Ripa)48C91 writer, poet, author49L511 quill49L61 ink49L7 handwriting, written text51M1(+4):48C9110 Fast Motion (+ emblematical representation of concept)❧?52AA21(+4) Rashness, Imprudence, Recklessness (+ emblematical representation of concept)59B32(+11) Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ abstract concept represented by female figure)61B2(BULL, Stephen)3 historical person (BULL, Stephen) - other representations to which the NAME of a historical person may be attached (BULL, Stephen)86(SCRIPTA NON TEMERE EDENDA) proverbs, sayings, etc. (SCRIPTA NON TEMERE EDENDA)98B(VARUS, Quintilius) male persons from classical history (VARUS, Quintilius)Additional codes proposed for this emblem, not (yet) part of the indexing.
59B32 Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)highThe winged, largely nude female figure with a long trumpet at the right is the standard personification of Fame ('Fama'), who here seizes the young author.
48C921 Fame ~ writer, 'poeta laureatus'mediumThe correlate 'Fame ~ writer' matches precisely: Fame pulls at a young man in a writer's study where an old poet is at work at his writing table, the emblem concerning writings to be published.
51FF521 DelaymediumThe commentary's core message ('Put it off; small delays bring great advantages'; 'delay has often healed') makes Delay the personified/allegorical subject of the emblem.
51M12 HastelowHaste is the vice implicitly rebuked, embodied in Fame's tugging of the young writer's arm towards premature publication, though it is not itself personified in the image.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
The emblem's whole argument — Quintilius restraining the young author who rushes to publish, 'Perfection comes in time', 'very rare is that attempte, that is not harm'd with haste' — is the classic moral of Erasmus's Festina lente, whose famous essay is itself largely about careful, unhurried publication (Aldus and the printing of books).
Erasmus explicitly glosses this adage as applying to those who produce imperfect work through haste, 'if a man, for example, were to rush into print a work which he had not properly polished' — precisely the emblem's subject, 'Scripta non temerè edenda'.
The subscriptio's warning that thirst of fame pricking one 'forthe too faste' ends in late repentance, and that slow correction brings the work to perfection, restates the more-haste-less-speed commonplace of this adage.
Whitney's line 'The man that softlie settes his steppes, goes safest in the darke' closely mirrors Erasmus's explanation of pedetentim as a metaphor from those who advance cautiously, feeling their way over slippery ground, acting 'with more skill than speed'.
The emblem contrasts the youth's premature 'desire for fame' with the durable renown won by patient revision ('Perfection comes in time'), which is the point of this adage on rewards that come late but are the more lasting.
Quintilius's 'pace of snayle' and steady, repeated correction correspond to Erasmus's image of those who accomplish things slowly, without fuss, but by sticking to the task.
Record ID: embstma_1667_emblem197
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem197
Copy: University Library, Glasgow, Stirling Maxwell 1667