Geffrey Whitney, A choice of emblemes (Leiden, 1586)
People worship an image of Isis carried by an ass

Non tibi, sed ReligioniLatin
Not for you, but for religion.
Within an ornamental woodcut border, a street scene in a town: an ass walks forward bearing on its back a pedestal on which stands a statue of a figure holding a vessel in one hand and a branch or sheaf of plants in the other. A driver walking beside the ass raises a stick or staff to beat it. At the right, before the façades of buildings, several townspeople kneel and bow with raised hands toward the passing image; in the left background are hills and a domed building.

THE pastors good, that doe gladd tidinges preache, The godlie sorte, with reuerence do imbrace: Though they be men, yet since Godds worde they teache, Wee honor them, and giue them higheste place, Imbassadors of princes of the earthe, Haue royall Seates, thoughe base they are by birthe. Yet, if throwghe pride they doe them selues forgett, And make accompte that honor, to be theires: And doe not marke with in whose place they sett, Let them behowlde the asse, that ISIS beares, Whoe thowghte the men to honor him, did kneele, And staied therfore, till he the staffe did feele. For, as he pass'd with ISIS throughe the streete, And bare on backe, his holie rites about, Th'Ægyptians downe fell prostrate at his feete, Whereat, the Asse, grewe arrogante and stowte, Then saide the guide; oh foole not vnto thee, Theise people bowe, but vnto that they see?
The good pastors, who preach glad tidings, the godly sort embrace with reverence: though they are men, yet since they teach God's word, we honour them and give them the highest place; ambassadors of princes of the earth have royal seats, though they are base by birth. Yet, if through pride they forget themselves, and reckon that the honour is their own, and do not mark in whose place they are set, let them behold the ass that carries ISIS, who thought the men knelt to honour him, and therefore stood still until he felt the staff. For, as he passed with ISIS through the street, bearing on his back her holy rites, the Egyptians fell down prostrate at his feet, whereupon the ass grew arrogant and proud; then said the driver: O fool, these people bow not to you, but to that which they see.
11P12 allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa)12CC132(ISIS)12C21 worship and devotion (in general) ~ Egyptian religion12CC63 statues, paintings, etc. ~ objects of worship (Egyptian religion) - CC - in the open air25G411 cut flowers; nosegay, bunch of flowers25H11 mountains25I14 public road31A233(+911) kneeling figure (+ saluting, showing reverence)31AA2331(+911) kneeling on both knees - AA - female human figure (+ saluting, showing reverence)31A2511(+933) arm raised upward (+ holding something)31A2512(+933) arm stretched forward (+ holding something)31AA2512(+911) arm stretched forward - AA - both arms or hands (+ saluting, showing reverence)31A2514 arm held backwards31A26211(+51) one leg in front of the other, walking position (+ standing)31B6211(+911) looking upwards (+ saluting, showing reverence)31B6212 looking downwards31D14(+74) adult man (+ four persons)31D15 adult woman33A11 baring the head, lifting one's hat41A141 the usual house or row of houses41A311 front façade41D211(+81) dress, gown (+ men's clothes)41D211(+82) dress, gown (+ women's clothes)41D221(+81) head-gear (+ men's clothes)41D233(+81) gear for legs and feet (+ men's clothes)41D249(+82) clothes for sculptured figures (+ women's clothes)46C13142(+756) ass, donkey (+ postures of hind leg(s) of animal(s))46C131614 saddle46C13187(+0) leading a horse by the reins; rider beside his horse (+ variant)46C1461 prick, goad48C24 piece of sculpture, reproduction of a piece of sculpture52AA51(+4) Folly, Foolishness; 'Pazzia', 'Sciocchezza', 'Stoltitia' (Ripa) (+ emblematical representation of concept)52BB61(+4) Infatuation (+ emblematical representation of concept)59B31(+4):54BB11(+4) Honour, Glory; 'Ampiezza della Gloria', 'Gloria', 'Gloria de prencipi', 'Gloria & Honore', 'Honore', 'Sublimatà della Gloria' (Ripa) (+ emblematical representation of concept)❧Misuse, Misemployment (+ emblematical representation of concept)86(NON TIBI, SED RELIGIONI) proverbs, sayings, etc. (NON TIBI, SED RELIGIONI)Additional codes proposed for this emblem, not (yet) part of the indexing.
12C13(...)79 representations ~ Egyptian gods, demi-gods, heroes, etc. (with NAME) - veneration, honouring of non-Christian god or goddesshighThe correlate 'veneration, honouring of non-Christian (Egyptian) god or goddess' exactly matches the townspeople kneeling with raised hands before the pagan cult image carried past them.
12CC13(ISIS) Isis, the mother-goddessmediumThe statue on the pedestal, holding a vessel (situla) and plants, is the Egyptian mother-goddess Isis named in the commentary, matching 'Isis, the mother-goddess'.
12B13(...)79 representations ~ gods, demi-gods, heroes, etc. (with NAME) (non-Christian religions) - veneration, honouring of non-Christian god or goddessmediumThe more general correlate 'veneration, honouring of non-Christian god or goddess' also covers the adoration shown to the divine image borne by the ass.
11N31 Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly SinslowThe emblem's moral concerns the pride of one who appropriates honour meant for another, though no personified 'Superbia' is actually depicted.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
The emblem retells exactly the fable behind this adage: the ass carrying the sacred image/rites of Isis who, seeing the Egyptians prostrate themselves, grows proud until the driver beats him saying the reverence is not for him but for what he carries. Whitney's motto 'Non tibi, sed Religioni' is the punchline of the driver's rebuke as transmitted with this adage.
Erasmus applies this adage to those who give themselves airs merely because of their association with a great personage, and to things honoured only because they belong to a prince — precisely the emblem's lesson that the ass (or the proud pastor) receives honour only on account of what he bears or represents.
Classed under 'Honos indigno habitus', the adage mocks the creature on whom borrowed dignity is draped; Whitney's ass, exalted only by the sacred burden on its back and mistaking that dignity for its own, embodies the same satire on externally conferred honour.
Erasmus's essay cites the Aesopic ass in the lion's skin who assumes an honour not his own and is beaten when found out — a close cousin of the beaten Isis-ass who presumes the people's reverence belongs to him.
Used of one who enjoys high office and reverence while unworthy of it, with the image of an added 'mask' of dignity; this matches the emblem's warning to prelates who forget that the honour attaches to their office, not themselves.
Record ID: embstma_1667_emblem008
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem008
Copy: University Library, Glasgow, Stirling Maxwell 1667