Geffrey Whitney, A choice of emblemes (Leiden, 1586)
The sun is melting the snow; a ship has run aground

Res humanae in summo declinantLatin
At their summit, human affairs decline
Within an elaborate ornamental woodcut border, a square scene shows a sailing ship with masts and rigging heeling over and sinking amid rough, billowing waves on the left; at upper right a radiant sun with a human face shines down, its long rays striking a snow-covered mountain slope on the right, from which streams of melted water run down into the sea.

THE gallante Shipp, that cutts the azure surge, And hathe both tide, and wisshed windes, at will: Her tackle sure, with shotte her foes to vrge, With Captaines boulde, and marriners of skill, With streamers, flagges, topgallantes, pendantes braue, When Seas do rage, is swallowed in the waue. The snowe, that falles vppon the mountaines greate, Though on the Alpes, which seeme the clowdes to reache. Can not indure the force of Phœbus heate, But wastes awaie, Experience doth vs teache: Which warneth all, on Fortunes wheele that clime To beare in minde how they haue but a time.
The gallant ship that cuts the blue swell, and has both tide and wished-for winds at will; her tackle sound, with shot to drive off her foes, with bold captains and skilful mariners, with streamers, flags, topgallants and brave pennants, when the seas rage is swallowed in the wave. The snow that falls upon the great mountains, even on the Alps that seem to reach the clouds, cannot endure the force of Phoebus' heat, but wastes away, as experience teaches us: which warns all who climb on Fortune's wheel to bear in mind that they have but a time.
Periand. per Auson. Si fortuna iuuat, caueto tolli. Si fortuna tonat, caueto mergi.
Periander, through Ausonius. If fortune helps you, beware of being lifted up. If fortune thunders, beware of being sunk.
Ouidius 4. pont. 3. Tu quoque fac timeas, & quæ tibi læta videtur, Dum loqueris, fieri tristia posse puta.
Ovid, Letters from Pontus 4.3. You too, be afraid, and think that what seems joyful to you may, even while you speak, become sorrowful.
Ouidius 5. Trist. 9.
Ovid, Tristia 5.9.
11R5 (personifications of) 'Vanitas', the vanity of human life; Fragilità humana, Fugacità delle grandezze & della gloria mondana, Meditatione della morte, Opera vana, Piacere vano, Vana gloria, Vanità (Ripa)22E1 heat24A6 sun represented as face, wheel, etc.25H13 coast25H23 sea (seascape)26D1 snow31A2511(+931) arm raised upward (+ indicating, pointing at)31A2512(+931) arm stretched forward (+ indicating, pointing at)31AA2512(+933) arm stretched forward - AA - both arms or hands (+ holding something)31A2741 throwing something41A777 container of textile material: bag, sack, net41D221(+81) head-gear (+ men's clothes)41D223(+81) clothing for the upper part of the body (+ men's clothes)46C24 sailing-ship, sailing-boat46C2711 seaman46C294 wreck ashore54F(+4) Fortune and Misfortune (+ emblematical representation of concept)86(RES HUMANAE IN SUMMO DECLINANT) proverbs, sayings, etc. (RES HUMANAE IN SUMMO DECLINANT)Additional codes proposed for this emblem, not (yet) part of the indexing.
46C291 shipwreckhighThe correlate 'shipwreck' directly matches the sailing ship heeling over and sinking in rough waves.
25H2311 wavemediumThe correlate 'wave' corresponds to the rough, billowing waves that fill the sea in the scene.
54F Fortune and MisfortunemediumThe commentary's theme of fortune helping or thundering, and joy turning to sorrow, matches the personified concept 'Fortune and Misfortune'.
54FF Fortune and Misfortune (opposing concepts)lowThe image sets prosperity (sun) against ruin (sinking ship), fitting 'Fortune and Misfortune' as explicitly opposing concepts.
Suggested relationships between this emblem and adages in Erasmus’ Adagia.
Erasmus' adage makes Fortune a tidal strait, 'just as the sea has its flows and ebbs, so nothing in human affairs is permanent' — exactly the emblem's point, and it supplies the maritime imagery of the ship overwhelmed by raging seas, as well as the Pindaric note that mortal happiness 'does not come to stay for long.'
The adage's gloss — 'in the affairs of mortal men nothing lasts for ever, nothing stands still, but all things ebb and flow as in a series of tides' — is essentially the emblem's motto 'Res humanae in summo declinant' and its warning to those climbing on Fortune's wheel.
'The shifts of fortune are ever changing, and to each man comes now happiness, now sadness' matches the Latin subscriptio's 'modo laeta manet, vultus modo sumit acerbos' and the Ovidian tag that what seems joyful may turn sorrowful.
The adage uses sky and sea weather (calm then storm, shifting winds) as the figure of fortune's reversal, the same pictorial vocabulary the emblem employs with the favourable winds turning to raging seas and the sun melting the Alpine snow.
Erasmus explains the adage as a reminder that 'change is swift in human affairs and that it is not in our power to secure perpetual success' — the moral of the emblem's warning to those at the summit of Fortune's wheel.
Record ID: embstma_1667_emblem011
This emblem on the Iconclass site: https://iconclass.org/view/embstma_1667_emblem011
Copy: University Library, Glasgow, Stirling Maxwell 1667